“Telephone” is backed by a ukulele and was the highlight of the album: truth, lightness, a simple love story. “Bones” exudes a feel good atmosphere, this track allows one to not only tap their foot but feel lighthearted as well.
It’s quickly followed by another guitar riff that will echo familiar to Blunt’s long-time listeners. It contains a piano riff that sounds a little too familiar, but carries a feel good vibe, one that almost brings listeners to their toes. “Heart to Heart,” on the other hand, is quite charming and upbeat. As though a suicidal misfit was smiling while taking a razor to their wrist, this track throws a wrench in the wheels. When listening to the lyrics a little closer, however, it turns out to be just as heart-wrenching as the rest of the album. “Bonfire Heart” is definitely worthy of being a single and will make its presence known on radio charts.īallad after ballad, it is more than thrilling to come across a few seemingly upbeat tracks such as “Satellites” which is strong and beats in your chest. “People like us, we don’t/Need that much just some/Days like this lead to/Nights like this lead to.” – lyrics that are not only catchy but also intriguing. The first single from the album, “Bonfire Heart,” is backed with a strong guitar strum and Blunt’s deep hums, topped with harmonies that peak right up there below falsetto.
Since 2005, Blunt has become notable for a certain whimpering sound and, more specifically, singing songs of melancholy in “You’re Beautiful” followed by “Goodbye My Lover.” That seems to be the case in James Blunt’s fourth album, “Moon Landing.
#James blunt satellites piano mac#
12: Miss America (Acoustic Version From Angel Studios) (302)Īcoustic Guitar: James Blunt, Artwork: Andy Hayes (2), Artwork: Bose Collins, Bass: Martin Terefe, Bass: Sasha Krivtsov, Drums: Karl Brazil, Edited By: Mike Tarantino, Electric Guitar: Matt Chait, Engineer: Ken Sluiter, Engineer: Sam Keyte, Guitar: James Bryan, Keyboards: Glen Scott, Mixed By: Tom Rothrock, Mixed By: Tony Maserati, Photography By: Scarlet Page, Piano: James Blunt, Producer: Martin Terefe, Producer: Tom Rothrock, Strings: Mike Armstrong, Ukulele: James Blunt, Vocals: James Blunt, Written-By: James Blunt, Written-By: Steve Mac (2), Written-By: Steve Robson, Written-By: Wayne Hector, Guitar: Matt Chait, Performer : John Nau, Synthesizer : James Blunt, Backing Vocals: Sofia Wellesley, Bells, Celesta, Guitar, Strings : James Blunt, Organ : John Nau, Trumpet : John Garrison, Written-By: Claude Kelly, Accordion, Drums, Guitar, Organ, Piano: Ryan Tedder, Bouzouki, Mandolin: Ilya Toshinsky, Engineer: Pat Dicenso, Engineer: Smith Carlson, Mixed By: Serban Ghenea, Producer: Ryan Tedder, Written-By: Ryan Tedder, Backing Vocals: Martin Terefe, Co-producer: Ammar Malik, Co-producer: James Blunt, Co-producer: Robopop (4), Written-By: Daniel Omelio, Written-By: Danny Parker (3), Orchestra: Mike Armstrong, Performer : John Nau, Backing Vocals: Gia Ciambotti, Strings: Steve Mac (2), Drums : Karl Brazil, Organ: James Blunt, Written-By: Claude Kelly, Celesta : John Garrison, Co-producer: Steve Mac (2), Guitar: Matt Chait, Guitar: Paul Gendler, Hihat : Charlie Paxson, Keyboards, Orchestra, Piano, Strings: Steve Mac (2), Bass: Matt Chait, Guitar : John Garrison, Orchestra: Mike Armstrong, Organ, Resonator Guitar: James Blunt, Written-By: Ammar Malik, Electric Piano : Glen Scott, Arranged By, Violin: David Davidson, Backing Vocals, Piano: Glenn Scott (3), Cello: John Catchings, Drums: Neil Conti, Recorded By : Bobby Shin, Strings: Love Sponge Orchestra, Viola: Kristin Wilkinson, Violin: David Angell, Written-By: Steve McEwan, Producer: Dan Massie, Labelcode ATL536701.No matter how long it’s been after an artist’s big break, sometimes it all slightly sounds the same, swirling in a similar pot of murky heartaches and drifting lullabies.