- #How to tell what kind of morgan monroe banjo plus#
- #How to tell what kind of morgan monroe banjo mac#
was the son of Grandpappy George Wilkerson, the fiddler player with the Fruit Jar Drinkers. Then if they got too hot on him and start beating us he would call in his other pitchers like G.W. “Bill would always let Stringbean start out pitching. We would always open it up with the music and after that the game would start.”
#How to tell what kind of morgan monroe banjo plus#
Bill had a booking agent that would book these towns and book the local ball club against the Blue Grass All-Stars ball club plus the show. They were made of a group of guys that played good baseball. Red Taylor replaced Chubby Wise then Vassar Clements took Red’s place.ĭuring this time, “Bill had the baseball team, the Blue Grass All-Stars. During this time he saw other personnel changes. Rudy stayed with Bill from mid 1949 until late summer of 1951. The had a good close duet that was very close to Bill and (Lester) Flatt.” Bill liked Jimmy’s guitar playing because he played good guitar- solid rhythm. I told sergeant Edwards that Bill wanted to try this man out. “I had heard Jimmy play a little bit and I told him to put his guitar back in the case and lets go inside. There was all kinds of people trying to get in that back door“. He could just look at the people trying to get in the back door and they’d run. Sergeant Edwards was a big old heavyset mean looking policeman. Old Sergeant Edwards, the policeman on the door, had turned him away two or three times. Jimmy was standing out in the alley one Saturday night. I brought Jimmy Martin in the back door of the Opry.
#How to tell what kind of morgan monroe banjo mac#
After Mac left, Jimmy Martin took his place. Jack Thompson was playing bass and he left to work with Lou Childre and Stringbean, to play rhythm guitar for them. “When I got to Nashville Bill had Chubby Wise, Mac Wiseman, Jack Thompson, me and him (Bill).
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Boy, it was great, it was something else. Then he told them what I was going to play. Bill told them that he had a brand new banjo player from over in Virginia -Rocky Mount, Virginia. I think the R.C.Cola Show was network then like the Prince Albert Show, so it was getting out pretty good. The first tune I did was “Cumberland Gap’. I was there in the alley when Bill and all the guys came round the corner. Bill had said to be there Saturday night for the first show, The Royal Crown Cola Show. The Grand Ole Opry was on the next corner. I spent the whole day walking around the block down around the station. I got into Nashville early Saturday morning. We had been using Wilber Turners car in Mt.
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Back then everyone wanted a car but everyone didn’t have one. I got into Nashville and I didn’t known anything about the town. and asked me if I wanted to come to work. The manager came back stage and said I had a long distance call. “About three weeks later we were working a show in Radford, Virginia at the theatre. After the show I told Bill that I’d sure like to work for him and he said that he would like for me to but he didn’t want to take me away from Uncle Joe. He had two boys called the Kentucky Twins and another fellow named Bill Myrick but he didn’t have a banjo player so I tuned up and went out there with him. He didn’t have too many people working with him. At that time Bill’s band had just broken up. We had announced on our radio program that he was going to be there with his show. It was on a Friday night that we weren’t working so we all were there. Bill came through there with a show at the high school. It was during this time that Rudy first met Bill Monroe. The band included Uncle Joe on the dobro, Wilber Turner on the guitar, Lefty Hall on the Fiddle, Pretty Little Blue-eyed Odessa singing and Rudy on the banjo. During the time they worked at WPAQ they worked with Uncle Joe Johnson and Pretty Little Blue-eyed Odessa. They told my granddad that they would take care of me and they talked him in to letting me go with them”. In a few years Rudy met two boys from Rocky Mount that played music and began picking with them on WPAQ radio in Mt. I also learned a lot from Paul Jefferson” Rudy recalled. “Lawrence Wright, he lives to Rocky Mount, He was the first man I heard play rolls and I picked it up from him. At the age of 9 he began to learn to play the five-string banjo.
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He lived with his grandfather Lomax Blankenship who was a noted local fiddler. Rudy grew up on the Black Water River near Rocky Mount, Virginia. Rudy played the banjo on many of the classic Bill Monroe recordings including “Rawhide”, “On and On”, “Sugar Coated Love”, and probably his most noted performance on “White House Blues”. In any conversation about the great musicians in the formative years of bluegrass music one names always come up, Rudy Lyle. Reprinted by permission Bluegrass Unlimited Magazine (All rights reserved.